Terça-feira, Setembro 27, 2005

 

Para ouvir. Muito.


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Album Description

Guitarist Ali Farka Touré and kora player Toumani Diabaté, both of whom come from Mali, are two of Africa’s greatest musicians. In the Heart of the Moon is their first full-length album collaboration and it is also the first new album by either artist in 5 years. The original idea was that they would duet on just one track, but their creativity could not be contained, and the result is an album’s worth of new material. There were no rehearsals, and the improvised performances were recorded over three magical two-hour sessions at the Hotel Mandé, on the banks of the Niger River, in Bamako, Mali.

With Ali on acoustic guitar and Toumani’s kora, there was some extraordinary interplay between the pair. The recordings also feature subtle contributions from Ry Cooder on kawai piano & ripley guitar, Sekou Kante and Cachaíto López on bass, and Joachim Cooder and Lekan Babalola on percussion.



By Nenad Georgievski


Mali may be one of the poorest countries in the world, but it surely is one of the richest when it comes to its folklore and tradition. There are places on this planet where music flows like a river and Mali is surely one of those places.

In The Heart of the Moon is a collaboration between guitarist Ali Farka Toure and kora (lute-harp) player Toumani Diabate. Although they belong to different traditions and come from different regions of Mali, the beauty of music bonds these two artists together. Ali Farka Toure is a well-known guitar player whose uniqueness has impressed many of today’s musicians, and that has produced many interesting collaborations with even far more interesting results. Historically, the guitar does not originate from Africa, but it is one of the most widespread and most enthusiastically accepted instruments across the continent. On the other hand, Toumani is a griot (musician/teacher/historian) from the Mandinka tradition. He comes from a family of griots with a lineage of 71 generations of kora players. His versatility on the kora has impressed many, and he is considered to be one of the best players on the instrument today.

What they thought would be just a guest appearance by Diabate on a new Toure album exploded into an inspiring jam session that made them think of producing a duet album. The musicians were familiar with the material—both Malian tunes from the '50s and the '60s and past Toure material (the last three tracks: “Kadi Kadi,” ”Gomni,” and “Hawa Dolo”)—and they used these tunes as a platform for further improvising. The recording, which was done in an improvised studio at the Hotel Bamako in Mali, was carried out in three two-hour sessions, a rare occurrence these days. The musical interplay is astonishing, especially considering that they never rehearsed before this recording. Just by using a guitar and a kora, with occasional sounds of exclamation by Toure, they have produced mesmerizing and hypnotic music.

Guest appearances feature Ry Cooder on Kawai piano and Ripley guitar, Sekou Kante and Buena Vista Social Club's Cachaito Lopez on bass, and Joachim Cooder and Olalekan Babaola on percussion. Toure and Toumani are genuine masters of the guitar and kora, respectively. They have collided musically and produced music here that is pure and human, simple and beautiful.



Comments:
Ali Farka Toure and his Blues of Mali is simply my favourite musician at the moment! I have always been a blues fan and I have recently been making new discoveries in that field! Ali is one of them.
 
Olá!


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Melhores Cumprimentos,

Marconi Neiva
 
monsieur comme et vous?

Q tão grande perda sinto no meu coração.
Como foi dificil, parar de ouvir o som q postaste.
Obrigado e um abraço amigo.
 
interessante... procurarei
 
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